#MOTION BLUR TRIAL#
#MOTION BLUR ISO#

If your camera has IBIS (in-body image stabilization), it may be possible to hand-hold your camera without too much unwanted camera movement. Getting an ND filter is “the number one thing I wish I had done sooner,” according to Sidla. ND filters are often used in landscape photography to decrease the amount of light that hits your sensor, so you can shoot with a slower shutter speed or wider aperture and not blow out the exposure in the daylight. The golden hour - just before sunset and after sunrise - is ideal for photography for many reasons, but when it comes to motion blur it helps keep your ambient light levels low.Ī neutral density filter (ND) gives you more usable hours of the day in which you can photograph motion blur. “Shoot in early hours of the day or the late hours of the night for the best chance to get your shot in-camera,” advises Sidla.

#MOTION BLUR ISO#

Shoot as close to ISO 100 as you can, but don’t be afraid to crank it up to 800 or 1600 if you’re working in the dark and need more light. A lower ISO will also help your photo from becoming too grainy. In order to let in less light, you’ll want a lower ISO. Your ISO setting is your camera’s sensitivity to light. Once you know how long you need your shutter open to capture the motion you want, you can adjust your aperture to properly expose the photo. But if you work in low light, a larger aperture could work to your advantage. In most daylight situations, you’ll want a higher f-stop, which means less light gets through a smaller aperture opening. Longer shutter speeds can be anywhere from 1/60 of a second to 30 minutes, depending on how much blur you want, how fast your subject moves, and how much available light there is. Whereas fast shutter speeds such as 1/1000 of a second will freeze moving objects, a slow shutter speed will give you the blur you’re looking for.

#MOTION BLUR TRIAL#

You just need a camera, a bit of know-how, and time for trial and error. No matter what kind of look you want, rest assured it doesn’t take a lot of special gear or complex techniques to master motion blur. In most cases, motion blur doesn’t blur the entire frame - either the subject or the background will be in focus while the other is blurry. “I have a lot of friends who shoot star trails, which allows you to capture the rotation of the universe around us.” “It helps smooth out the water as it goes over the cliff, or waves on a beach,” says Sidla.

Sidla uses motion blur in landscape photography, particularly when he photographs waterfalls or the ocean. My experience with motion blur has been mainly with sports photography.” Automotive photography, busy city scenes, and conceptual shoots are other popular examples of motion blur. “You can use it to elicit emotion or some kind of connection. Rather, “it’s a storytelling technique,” as photographer Chris Low says. There’s no single correct application for motion blur. Whether you want to create a sense of speed with taillights streaking down a highway at night or capture the abstract look of people crossing a busy intersection, motion blur lets you see a scene in a way that lets you express a new perspective on reality. Whereas some action shots freeze a moving subject with fast shutter speeds, motion blur uses slow shutter speeds for long exposure photos that blur the point of movement. “It gives us the ability to see things in a way that we can’t on our own,” says photographer Chris Sidla.

Motion blur is a long exposure photography technique that lets you convey the feeling of movement or action in a still image.